Divinity unfolded !

Needless to say, every time we do something about someone or something, knowingly or unknowingly, we begin to examine the qualities of that person or thing. When we know who or what we are facing is great, we continue to explore the greatness of that person or thing. With that being said, the context here is on Veena and when we face it, we begin to explore Veena.

Health point of view

Practicing veena can be beneficial from health point of view


Veena playing helps in psychological wellbeing

Devotional and Spiritual

Veena is an ultimate tool for spiritual enlightenment

Divinity experience

Nullam eget luctusisus sollicitudinau. Suspene biendum congue

Study of Veena

Veena Yoga Sadhana

Veena learning at VEENAGANALAYA aims at training the desiples with multi dimentional approach

Veena learning at VEENAGANALAYA aims at training the deciple with multi dimentional approach

Study of Musicological Texts

Systematized Syllabus

Performance Driven Practical Approach

Learning Veena

Why you need to learn veena from Veenaganalaya

It’s not just playing the instrument, it’s the approach that makes journey with instrument a divine one which leads to eternal happiness 

Acharya Prashanth Iyengar

Acharya Prashanth Iyengar

  • A 25-hour marathon Veena concert by Mr. Iyengar on 21 April 2010 at Srirangapattana, has set a new milestone in the history of Carnatic Music and is indeed a mirror of showcase to his talent, dedication, and years of practice. This has been adjudicated as a World Record by Limca Book of Records for the longest marathon Veena concert ever played by an artist during our times.  
  • First Musician to evolve an integrated system of learning Music, Theatre and Yoga while he was working as the in-charge of the music department in Directorate of Textbooks, Government of Karnataka implemented under State Government Trimester Scheme for Middle and High school. 
  • Mr. Iyengar is the first composer from Karnataka to have composed ‘Varnams’ in all the ’72 Melakartha Ragas’ and also the second youngest composer after the stalwart and world-renowned Karnataka musician Dr. M. Balamuralikrishna. 
  • Secured third rank in the Vidwath Examination. (Equivalent Master Degree course conducted by Govt of Karnataka) 
  • Won 1st prize in Madras Music Academy 
  • Invited to perform before the then Chief Minister of Karnataka (J H Patel) in Banquet hall of Vidhana Soudha on the occasion of Kannada Rajyothsava –  1997 
  • Reconstructed and Presented the Pandarika Vitthala Mela Veena as mentioned in the Ancient Musical treatise of India, the Nartana Nirnaya of 16th Century and under the guidance of the author of this monumental work, the world-renowned scholar and polymath,  Mahamahopadyaya Dr. R. Sathyanarayana.  Prashanth gave a live demonstration of this reconstructed Veena during a National Seminar ‘Shastrotsava – 2015’ conducted by Indira Gandhi National Center for Arts, New Delhi, which is India’s premier cultural center.  
  • First artiste to play a concert on Veena @ Venice, Italy with the concept of Nada Veda May 2018 without percussion which was very well appreciated by the connoisseurs of the international community 
  • May 2019 Europe tour, played concerts in Berlin, Munich, Venice, Verona, and many more places 
  • By the grace of Lord Lakshmi Narasimha, have been instrumental in organizing Veena Tattva Prakashika – International Conference on Veena since 2014